Based outside of San Francisco, Jack Simon’s widely exhibited street photography is composed of wonderful juxtapositions of people and their surrounding elements. Whether it is an intentional or coincidental (mis)alignment of light, shadows, reflections or movement, his work has the ability to tickle and perplex at the same time. Here, Jack shares his journey into street photography, shooting in the diverse neighborhoods of San Francisco and his impressions of his first visit to China.
SA: I have to say, after corresponding over Flickr for over a year, I’m glad we had a chance to catch up in person over a beer and share our experiences on street photography. I’m thrilled to introduce you to the blog’s readers. Please share a little about yourself.
JS: I’ve worked as a psychiatrist for the last forty years. I began taking pictures seven years ago with a digital point and shoot. I didn’t really know what I was doing, but the immediate feedback of the technology allowed me to experiment, make a lot of mistakes, and move closer and closer to the image I was after. Now I rarely go anywhere without my camera. My work has been shown in several street photography publications. I was selected to show at the biennial Format Festival in England this year, and my book UNTITLED* was also selected to be featured in the festival. I’m definitely a passionate amateur and will not give up my day job.
(*Jack’s work has also been published as a cover image of The Tate Modern’s publication “Street or Studio – A Photobook.” and the British street photography monograph “Publication.”)
SA: How would you characterize your street photography in terms of style and focus?
SA: Where do you normally shoot at home in San Francisco?
JS: I live about an hour from San Francisco in a very wonderful suburban environment, but most of my photographs come from time spent in San Francisco. My favorite area is the Mission District. There is tremendous diversity, lots of good food, interesting stores, and people on the street. Another area I love is downtown. I can take the train and walk into a variety of neighborhoods like Chinatown and the Tenderloin. In the downtown I always spend some time in the SF Museum of Modern Art which has a terrific photo bookstore and photography shows in addition to other art. Again with these areas, I can feel very entertained whether or not photographic scenes emerge.
SA: Moving onto your recent (and first!) trip to China. The first question is always, what do you think of China, especially Shanghai?
JS: One of my favorites was taken in Shanghai around Taikang Road. My wife and I noticed a number of beautiful women dressed in traditional clothing of the 30′s. We learned there was going to be a fashion show later and I ended up in a public space where the models were waiting. They might have thought I was a professional photographer and had no problem with my being there and photographing them getting ready. In this scene one of the women had taken a photo of the two of them with her phone. For me it was as if being transported to a another world that I had seen in the movie “In the Mood for Love.”
Another favorite was taken watching people enjoy themselves around one of the lakes in Beijing. In my mind’s eye there was a surprise melding of the cotton candy and hair styles which hopefully comes across in the photo.
Thanks so much Jack. I hope you’ll be able to return to China soon to spend a bit more time on the streets. Meanwhile, please keep us up to date on your next exhibition!
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