Archive for November, 2011

30
Nov

What I am reading this week

In case you didn’t know, I tend to share photography related work and articles that pique my interest via the blog’s Facebook page and Twitter. They range from photo essays on photojournalism and street photography to articles about the genres itself.

You’re welcome to follow me to receive updates though I know many in China have to deal with the Chinese firewall. Hence, I’ve decided to compile them on a weekly basis to share with readers. Enjoy!

- An award winning photo series looking at the migrant residents of Chongqing’s slums. Chongqing is one of the largest cities in China, the world even, with a population of 35 million people and has urbanized at a blindingly fast pace.

- Insightful feature of female war photographers. Do women have a different perspective shooting conflict?

- A thoughtful piece by Eric Kim on geometry and street photography, the influence and value of “experts” opinion and the never-ending pursuit of a great street photo. Eric’s passion and openness to this craft is impressive and I recommend you browse through his extensive blog covering everything related to street photography.

- Lianzhou International Photo Exhibit is underway. I’ve had a look at several of the submissions by Chinese photographers. Personally, only a few stood out. I enjoyed the documentary feel of Wang Yuwen (王玉文) portfolio《工人Eighteen Stairs》or called “Workers Eighteen Stairs”

- A highly recommended read by one of the hardest working people I know, Jonah Kessel on his “quasi-guerilla (social) warfare technique” that he employs to promote himself, his photography and business. Whether you agree with him or not, the piece recognizes the state of the photography business which is more challenging than ever.

- The diversity of religions shot along a single stretch of road in Birmingham, UK.

28
Nov

The Posture of Youth

“Youth is easily deceived, because it is quick to hope.” ~  Aristotle

I had unintentionally trailed the two young girls for much of the block.

One walked with a swagger, the other with hesitation. Both had their heads buried in their mobiles, their fingers texting furiously. Without looking up, they weaved in and out of the Saturday afternoon crowd along Hefei Lu (合肥路).

They paused for a moment on the sidewalk to decide their next move. Swaddled in trendy winter wear, they chatted absently while continuing to play with their phones. The dialect was incomprehensible. Though their soft tones suggested Jiangsu, their attitudes spoke of enough time spent in the city.

Sometimes we forget that it is more than commerce that defines Shanghai’s pulsing vibe. Its fast pace rides on the depthless energy of countless youths that flood the city. Many of them moved around with their parents who sought better lives in Shanghai, others were bundled into buses and dispatched to work for distant relatives when crops failed in the countrysides.

Most finish high-school with no expectations of further studies. Instead, they arrive in Shanghai with stars in their eyes which are eventually dulled by their unglamorous lives as shampoo boys/girls, shop assistants, security guards, masseurs, waiters and waitresses.

But the fervour of youth is impossible to extenguish. After 12 hours attending to demanding (and often verbally abusive) customers, they shed their uniforms and plunge into crowded streets and bright lights. On their days off, boys and girls strolled along the Bund, window-shopped along Nanjing Lu, gossiped about budding romances and watched hours of Korean soap dramas. In a city with an extreme income disparity, Shanghai was theirs as much as the next person.

That was the thing about a large and mean metropolis. If it doesn’t care for you, it cannot judge you. Unlike tightknit communities back home, the city barely bats an eyelash if you have become a married man’s mistress, are being sexually harassed by bored housewives, joined an underground Christian prayer group or studying for the real estate exam after failing three times in a row (all true stories).

Shanghai carries the hopes and dreams of the wild-eyed youth, hoping to strike it big and live the modern life that his/her parents could never have imagined. Maintaining one’s dignity can be challenging in such circumstances.

Once, I watched a property agent, no more than 25 in his ill-fitting and shiny suit, stand outside a luxury estate distributing property listings. As only the help staff would walk out of that area, all other residents entered and exited in their flashy cars. The young agent would stuff the flyers eagerly into open car windows, much to the annoyance of the drivers. I watched a haughty woman in large sunglasses fling it right back out on the ground before speeding off in her BMW.

The young man picked up the flyer and smoothed it out for reuse. His hopes were not quite dashed but just a little shaken.

25
Nov

Behind the Camera Interview: Anton Hazewinkel on “Beijing Walks of Life”

Anton Hazewinkel’s dedication in depicting the wide spectrum of Beijing’s society is impressive. Be it the art collector next door, the punk rock band member or the frustrated unemployed, Hazewinkel portrays his subjects with great care and technique. He adopts various mediums which lends breadth and depth to the stories but it is his patience that illicits remarkable honesty from his subjects. Here, he shares with us about telling the tales of Beijing’s remarkable residents, his portraiture work and panoramic sweeps.

Website: Portfolio and blog “Chinesense”

SA: Share a little about yourself, Anton and your journey to Beijing.

AH: I’m Dutch. I started my career as an artist after graduating in Audio Visual Arts (video and photography) in the 80s. In those days the economic climate was not so good and when I was offered a chance to make a career in IT, I took it. For over 20 years I worked in a business environment; first as a manager in the airline industry and later with my own company as an interim manager and as an investor in ICT and call centre ventures. In 2005 I ended up in Beijing for an IT project. I enjoyed the environment and energy a lot and at that time I was ready for a change. I sold my house in the Netherlands and moved to Beijing. With the Olympics upcoming, I founded a company, together with a partner, that provided call centre and concierge services for sponsors of the Olympics and other expats. After the Olympics we closed the business and I started a photo retouching company that I am still running today. It was the start of using my skills in photography as a professional. Ever since I arrived in Beijing I have been using my spare time to make photos on the streets, but I never had the time to focus on projects. In the summer of 2010 I decided to give it a try and dedicate most of my time on developing myself as a photographer.

Mr. Zhang, who is unemployed, smokes a cigarette.

SA: How would you describe your style of photography? 

AH: I like to work in different styles and there is a lot I’d like to try in the future, but my main focus is currently on social documentary. Within this focus I divide my time between street photography and making portraits. Continue reading ‘Behind the Camera Interview: Anton Hazewinkel on “Beijing Walks of Life”’

23
Nov

Bucolic Landscapes of Kyrgyzstan

Picture 1 of 10

I’ve missed this space terribly, dear readers and I hope you can forgive me for the prolong neglect. Sometimes, a short pause can slip into limbo and descend heftily into inertia.

While I am physically back in Shanghai, my mind remains wrapped up with a slew of photographic work from Central Asia. In mid-October, I joined two researchers who are on a year-long project covering China’s growing influence in Central Asia. You can view their research and my photography at this site which I’ve helped set up.

For the first of several trips to the region, I played photographer, translator and intrepid journalist to document relevant trends for the project. We spent two weeks travelling north to south of Kyrgyzstan and the last week in Almaty, Kazakhstan.

While my colleagues were busy interviewing government officials, academics and businessmen to gain a bird’s eye view of the geopolitics of the new Great Game, I spent much of my time pounding the pavements making street photos, befriending absolute strangers who’d warmly welcome me into their circles and gaining first-hand accounts of their lives in the context of a rising China. A smattering of English, Russian (I did 1.5 years of it in graduate school) and even Chinese gets you very far and it doesn’t take much to ingratiate yourself with the local community.

In Bishkek, the capital of Kyrgyzstan, I discovered a vibrant hip-hop scene amongst the city youth, well-educated university students eager to practice foreign languages, a burgeoning Chinese cultural influence around the major cities and best of all, crowded and bustling bazaars that bring together traders from all over the region.

But nothing was more thrilling than driving cross-country, north to south and back again (10 hours each), to really absorb the beauty of Kyrgyzstan. The journey was studded with bucolic landscapes and herds of mindless sheep, cows and galloping horses. Changing climates in different parts of the country meant dashes of red and yellow against lush greens, and the reverse only one week later. The views weree similar to the landscapes of Southern Xinjiang which I visited the previous year, as Kyrgyzstan is after all, just the other side of the Tianshan Mountains separating the two countries.

Enough, you say. Less words, more photos. Enjoy.

[portfolio_slideshow]




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