Archive for April, 2011

27
Apr

Videos from Shanghai Photographer Night

I’ve been late in sharing these videos from the 8th Shanghai Photographer Night from two weeks ago at Dada Bar.

Below are three of six videos that were screened that night, two belong to the talent behind Zaijietou and the last is a mish-mash of my work. All three were edited by yours truly, a weekend-long hike up the learning curve of IMovie. Thanks to Liu Miao for uploading. Enjoy!


Photographers: 拉黑 (lahei)、蜕 (tui)、T and 69
Music: “Trembling Hands” by Explosions in the Sky


Photographers: Wuhao and Coca
Music: “How I Roll” by Britney Spears


Photographer: Sue Anne Tay
Music: “A Hokkien Soldier’s Life” by Jack Neo

20
Apr

Tension at the Korean Demilitarized Zone (DMZ)

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Amidst the frenzy of work, meetings and exhibitions, I forgot to mention that I was in Seoul, Korea during the early part of April. It was a brilliant trip and I’ll eventually share snapshots that best reflect Seoul’s energy and creativity. But the highlight had to be the Korean Demilitarized Zone (DMZ).

As required by law, we joined a foreigners-only tour that took us to the Joint Security Area (JSA) (or referred to as “Panmunjeom” or “Truce Village”). Established in 1953 after the Korean War, it is the only portion of the DMZ where South and North Korean military stand face-to-face. The area is used by the two Koreas for diplomatic engagements and, until March 1991, was also the site of military negotiations between North Korea and the United Nations Command (UNC).

It is located about 65 km north of Seoul, an hour’s bus ride that ran parallel to the Han River (or “Namhangang”). As we neared Panmunjeom, one would notice barb wires running along the highway, and the growing number of tank walls – hanging concrete bridges that would be blown up to block against invading North Korean tanks – artfully hidden by huge advertising billboards.

As reflected in ongoing tensions in diplomatic relations between both sides, our guide sternly warned us against sudden movements and unsolicited photography during the visit. All of which could be interpreted as hostile action against the North Korean soldiers, who could easily threaten the tour.

All photography equipment had to be examined by the JSA guard (tall and strapping South Korean boys serving mandatory military service), my 24-70mm lens barely passed muster. Another chap’s 105mm lens was prohibited from leaving the tour bus.

After a mandatory briefing about the history of the JSA as required by the United Nations, we stood on the South Korea side of the JSA, facing the negotiations tents. More importantly, we lined up like school children for the North Korean soldier on the other side to examine us through his binoculars.

Subsequently, we entered Tent 2 where negotiations had taken place up till 1991, the longest of meetings lasted for a day without toilet breaks. For the briefest of moments, we stood in North Korean territory, encased by four walls. This was as close to the Hermit Kingdom as I could get … for now.

In all corners, JSA guards stood on guard, eminating a kind of quivering, focused energy as if ready for hostile action at any moment. “Trained to kill anytime,” as explained by our guide. It wasn’t for tourists’ benefit, the tension felt real, like a powder keg waiting to explode.

For the rest of the tour, we were shown sites of severe conflict and violence that marked the tumultuous history of the DMZ. From the Bridge of No Return where prisoners of war (POWs) were exchanged, to the “Axe murder incident” involving a North Korean-US clash over the cutting down of a poplar tree (1976), to a deadly shootout between the two sides which ensued after a Soviet tourist suddenly defected from his delegation halfway through the visit (1984). The list of incidents and incursions is long, as is the number of casualties as a result.

It’s hard to capture the surreal experience of coming so close to the North Korean regime. The tensions espoused by our guide seemed, at times, overly exaggerated. Yet upon learning how years of conflict had often been triggered by perceived hostile body language, remarks and even outright attacks by the North Korean soldiers, one cannot help but realize that logic and rationale should not be presupposed. Trying to comprehend the psychology behind North Korean actions required ruthless real politik and an unwavering and almost sacrificial loyalty to its Dear Leader.

A trip to Seoul would hardly be complete without a visit to the DMZ. I’ve shared multiple links within this post for anyone interested in learning more, but feel free to contact me if you have questions.


 

15
Apr

15-16 April: Photographer Xi Zi (席子) and Director Zhou Hongbo (周洪波) on Disappearing Dongjiadu

I’m still recovering from Wednesday’s Shanghai Photographer Night at Dada Bar. Thanks to everyone who showed up and making the show a raving success!

This Friday evening, I’m looking forward to my friend Xi Zi’s (席子) solo photography show and discussion on Dongjiadu (董家渡), a part of Old Town where old factories and longtangs once made up the thriving neighborhood. One of the oldest Catholic Churches in Shanghai still remains, though seemingly alien to its flattened surroundings.

I also interviewed Xi Zi last year on his work, you can read more here.

Address: 上海外滩美术馆 RockBund Art Museum (map here)
20 Huqiu Road, Huangpu District, Shanghai
中国上海 黄浦区 虎丘路20号

Continue reading ’15-16 April: Photographer Xi Zi (席子) and Director Zhou Hongbo (周洪波) on Disappearing Dongjiadu’

11
Apr

A look at zaijietou.com (Part 2): 8th Shanghai Photographer Night

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Street photographers are of the mind that their genre of work is often underappreciated and hence less commercially viable than other forms of photography (fine arts, fashion, etc). “不可以靠它吃饭” one street photographer says to me, and I agree, you definitely cannot depend on it for a living. It is less a profession yet so much more than a hobby. For all the passion and zeal the street photographers I know place in the process and art of the craft, it is an expressed form of themselves.

Shanghai is no different. When you see the works of the Chinese street photographers of Zaijietou this Wed for the 8th Shanghai Photographers Night at Dada Bar , you will notice how different their perspectives and styles are when it comes to interpreting the same city. At the same time, we ask ourselves: Are we really that different or do our individual experiences measure up in the same way?

Participating photographers (in order as above): Wuhao, TJ, 69, 拉黑 (la hei), 蜕 (tui), Coca

On why I do street photography ….

“Street photography presents a lower threshold for beginners; anyone can turn a street into one’s own stage: the colorful and strange. But over time, street photography feels to be the hardest kind of documentary photography. It’s not like photojournalism because people do not know why you have appeared, why you are there and photographing them etc. This kind of ambiguity is a the key draw of street photogrpahy. ~ Wuhao

而街头摄影对于一个入门者来说门槛更低,街头就像是一个谁都可以展现自己的舞台,形形色色,光怪陆离,随着时间的推移,对街头摄影的看法也开始改变,开始觉得街头摄影其实是纪实摄影最难的一种,不像新闻摄影,事件现场的人们往往知道你为什么出现在那里,为什么拍摄那些影像,而街头上的人们往往不知道你为什么出现,又为什么拍摄,对我来说,这种不确定性也是街头摄影的一大魅力。” ~ Wuhao

Street photography makes me feel…

“Street photography makes me sensitive to life while sad about how time passes.” ~ 69

“街头摄影让我对生活更加敏感,同时对时间的逝去充满忧伤。” ~ 69

“Warm, safe, I am able to forget myself temporarily.” ~ 拉黑 (la hei)

温暖,安全,暂时忘记自己。”~ 拉黑 (la hei)

On one’s photography and its relationship with the city

 “My feelings toward the city are complicated: resistant yet embracing at the same time. After all, I’ve lived here for years, even if I’ve no sense of belonging here, I cannot avoid the inevitable and profound impact the city has on me. The reason why I speak at length about my relationship with the city is because it has much to do with my photography. I feel that my state of mind impacts the way I photograph the city.” ~  蜕 (tui) 

对于这座城市,内心的感情是复杂的,抵触和溶入的心态并存,毕竟生活了几十年,就算再没有归属感,也不可避免的在无形中被这座城市深刻影响着。对于我与这座城市的关系说那么多,是因为我觉得我这种复杂矛盾的心理,与我所拍的这座城市的照片是息息相关的。”~  蜕 (tui)

08
Apr

A look at zaijietou.com (Part 1): 8th Shanghai Photographer Night

In addition to Tang Ying and Eric Leleu, another major showcase we have lined up for the Shanghai Photographer Night next Wed (13 April), is a collection from the photographers of Zaijietou.com.

Zaijietou (在街头)or literally “on the street” is a street photography blog that is home to over 60 street photographers from all over China, largely concentrated in Shanghai. (Shanghai is ranked as one of the best cities for street photography in China)

I’ve written before about how and why street photography as a style and genre is not as widely popular as compared to major cities like New York and London. Which makes Zaijietou.com such an outstanding local endeavor.

A coterie of unique perspectives and insights, Zaijietou is administered by Liu Miao (刘淼), an avid street photographer and an occasional author of novels who also has his own blog.

Today, Liu Miao shares with us a little about Zaijietou. Continue reading ‘A look at zaijietou.com (Part 1): 8th Shanghai Photographer Night’

07
Apr

A look at Eric Leleu: 8th Shanghai Photographer Night

Yesterday, we had an insight into Shanghai-born street photographer Tang Ying who will debut her new work from Cologne, Germany at the 8th Shanghai Photographers Night next Wed (13 April, 8pm at Dada Bar).

Today, I want to introduce you to our next artist, the Shanghai-based French photographer Eric Leleu who maintains a wonderfully diverse and eclectic photographic diary Shanghai Airport.

Eric will be presenting Chapter 1 of his project, “Instants décisifs”, made up of reality-like digitally-composed images taken during the 2008 Beijing Olympics. His showcase will include an impressive video timelapse animation of all the photo material he used to produce the series.

Continue reading ‘A look at Eric Leleu: 8th Shanghai Photographer Night’

06
Apr

A Look at Tang Ying: 8th Shanghai Photographer Night

Have you marked the upcoming 8th Shanghai Photographer’s Night in your calender? It’s 13 April, 8pm at Dada Bar where Shanghai’s best street photographers will be featuring their work.

The first participating photographer I am featuring on this blog, as part of a wider introduction of their work to you, is none other than TANG Ying (唐颖) whose style and wit has translated across boundaries starting from San Francisco to Shanghai. She is one of the many renowned international photographers, and the first from Mainland China, I believe, behind the seminal book “Street Photography Now”.

TANG Ying will be debuting her recent series from Cologne, Germany, entitled: “Snapshot: Street in Germany”.

I interviewed TANG Ying last year where she shared her inspirations and processes. You can read more here.

 Some excerpts of the interview:

Unlike other forms of photography, you don’t need expensive equipment for street photography – I still use the same equipment and basic lenses. I believe that photos must have a narrative element to draw people so I have yet to change my set up. What fascinate me about street photography are the narrative and humanistic elements, and its sudden and unexpected nature. This is why street photographs have to spend a lot of time and have patience to capture that “decisive moment”.

I’ve seen many people documenting in Shanghai. I think that this is the best time for a photographer in Shanghai what with the different people and all the changes. I believe street photography in China has great potential but there are not that many people who are able to expend long periods of time (on street photography) and be able to publish such work.

05
Apr

13 April: 8th Shanghai Photographer Night

This and early next week is all about street photography.

Come next Wednesday, April 13th, I will be part of a street photography show at Dada Bar in what has become a regular popular arts event: the Shanghai Photographer Night. Started in 2008 by Shanghai-based photographer Tim Franco, photographers showcased their work in slideshow form with accompanying music as part of their art.

As co-organizer for this upcoming event, I will be featuring a participating street photographer each day for the next week as an insight into their work. Stay tuned!

Date: 13 April 2011 Wednesday (8PM) (free entry)

Continue reading ’13 April: 8th Shanghai Photographer Night’




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