20
May

London Photography Exhibits this Spring

Salgado 01               [by Sebastião Salgado, from "Genesis"]

I visit London frequently and make it a point to take in one or two exhibits each time. Art and culture are abundant and highly accessible in the Big Smoke, so there really is no excuse not to pop by The Photographers’ Gallery on top of Oxford Circus, or the Victoria and Albert (V&A) Museum in South Kensington.

During my last two visits, I saw the following photography-related shows which reminded me how powerful this medium remains despite the growing prevalence of digital video, and why funds are still invested in high quality photography work.

Sebastião Salgado’s Genesis at the Natural History Museum (until 8SEP)

I first saw Salgado’s work as part of his powerful series “Workers: An Archaeology of the Industrial Age” which looked at laborers from 26 countries in different fields – mining, oil refinery, coffee and tea plantations, ditches and canals. Salgado had been accused of romanticizing the Third World, but they hold irrevocabe and brutal truth. After “Workers” came “Migrations”, a six-year photographic chronicle of the “human flood tides set loose around the world by wars, famines or just people searching for work.” I imagine that after documenting so much human suffering and destruction, Salgado turned to nature or what was left of nature’s spoils.

The best online showcase of Genesis is by Time’s Lightbox but nothing prepared me for the haunting beauty of seeing them in all their spectacular detail. Since 2004, Salgado made a total of 34 trips to the Kalahari Desert, the jungles of Indonesia, the Galápagos Islands and Madagascar, across the Antarctic, Falkland Islands, South Sandwich Islands and across Siberia with the nomadic Nenets. Thank god for benches, I lingered there quite mesmerized by sea lions staring back at me (see above), a sea of chin-strapped penguins diving into the sea’s abyss and Siberia Nenet hunters driving reindeer across icy plains. You’d think that his choice of monochrome for nature was a compromise, but I emerged convinced of its deliberative and arresting impact.

Man Ray Portraits at the National Portrait Gallery (until 27MAY)

“A camera alone does not make a picture. To make a picture you need a camera, a photographer and above all a subject. It is the subject that determines the interest of the photograph.” ~ Man Ray, Oct. 2, 1966

Man Ray[Man Ray, "Self-portrait"]

Continue reading ‘London Photography Exhibits this Spring’

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17
May

An encounter with laundry … and a wall

It’s odd to see the screaming pronouncements “WASH! IRON!” through a sea of laundry along a busy alley. Sunday afternoon meant residents were out in the streets, and hanging every piece of clothing on bamboo poles, wooden pegs, thin string that hung from one house to the next. On a beautiful day, it could almost pass as a quirky art installation.

As I moved closer, the hiss of steamers and thudding of the washing machines grew louder. The shop’s plastic shields used for staving off the cold swayed to a soft ryhthm as the billowing steam bumped gently against it. Poke your head through them and the noise is deafening.

I approached hesitantly and began my inquiries despite her blank expression. Do you get mostly uniforms or civilian laundry? Do you do dry cleaning? Why, when most residents would prefer to save money, would they drop their clothing here? Can you really de-shrink a badly laundered sweater?

Her scowl was unfriendly and persistently silent to my questions. After a flicker at my camera, she stared ahead as if right through me.

Soon, the tumbling stopped, as did the spitting steamers. There was only the backnoise of the alley, and her unwavering wall that said, maybe you should return back to the street.

February 2013

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16
May

Instagram glory

I confess that nowadays, the Iphone has become de facto of a wieldy DSLR despite my occasional dissatisfaction with the output quality of my old Iphone. My recent spat of short trips both in and out of China - Hunan and Hubei provinces, London, Paris, Milan – required light packing and a DSLR was too much of a burden if I wanted to retain the sanity of no luggage check-in. However, now that the Ricoh GR V is out, my wallet may soon be (en)lightened in an exchange for a less conspicuous presence in the street.

Don’t get me wrong, a DSLR and tripod set up is still optimal for shooting old houses but each trip is ultimately an expedition. I miss terribly the process of carefully framing details and angles, and returning repeatedly to get it right. The sense of accomplishment is more purposeful and different.

Putting aside issues of photographer’s rights that has ignited debate since Instagram was acquired by Facebook, I love that photo apps have further democratized photography, forcing higher standards of creativity given its easy accessibility. We now have war photography shot in Hipstagram, such as NYT photographer Damon Winter who had his Hipstagram photo on the front page of the broadsheet, awards and exhibitions dedicated to mobile photography, fashion influenced Instagram and of course, the street photography genre has only been boosted in itse popularity by the smartphone.

I recall the morning I discovered Instagram, I had offered to shoot a friend’s wedding as a backup. I ditched my DSLR by the afternoon what with runnnig around in high heels and ended up shooting all 12 hours on my phone. I processed and delivered the best photos in real time, to the joy of the couple. Society today is such that we prize speed first, quality is a close second.

The highlight of my week has to be reading about this fantastic Instagram project of @echosight, a joint-Instagram account between photographers Danny Ghitis in New York and Daniella Zalcman in London.

“The entire process takes place on a phone: Images are uploaded to a Google Drive folder, each pulls photos from the other and creates the final piece in an app called Image Blender. Each photo is uploaded to the Instagram account with a quote, something that Ghitis initiated in order to communicate the feeling being conveyed. “Photos are very abstract and words can be very literal so I didn’t want to go too far in one direction,” he said.”

This goes to show you the boundless potential of photography and art with none of the trappings of cost and burden of equipment. With no exuses, it is the photographer’s eye that has to prevail.

 

Above: A signboard/scaffold of an aspirational Chinese skyline, shielding a sadly torn down lane near Shanghai Xintiandi by Xinye Lu

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12
May

What I’m reading

Old man in shadows

Shanghai’s benevolent and beautiful spring weather is upon us, so get out there and enjoy it before the humidity and heat inflict their seasonal cruelty come June. Now, I may moan endlessly about the incessant dust and grime in Shanghai but good grief, a recent transition through Beijing made me realize how serious the smog problem there really was. Without the sun, how do photographers play with light and shadows? Thank god, we still (sometimes) have that in Shanghai!

Anyway, I’m sure you’ve missed my litany of China and photography-related links. Below is a short round up of a few from the Shanghai Street Stories’ Facebook page. You can follow me there for more links.

- Turns out The Dude (actor Jeff Bridges, for those who have not yet soaked up his awesomeness in movie, “The Big Lebowski”) is a photographer, armed with a Widelux camera, a fully mechanical swing-lens panoramic camera, which only ups Bridges’ cool factor.

“The Widelux is a fickle mistress; its viewfinder isn’t accurate, and there’s no manual focus, so it has an arbitrariness to it, a capricious quality. I like that. It’s something I aspire to in all my work — a lack of preciousness that makes things more human and honest, a willingness to receive what’s there in the moment and to let go of the result. Getting out of the way seems to be one of the main tasks for me as an artist.”

I’d love to get my hands on his book “Pictures”, a collection of all his work photographed on all his movie sets. I recommend spending time on Bridges’ website, one word: “awesome”. I actually think it’s made up of his real handwriting.

- Italian photographer Michele Palazzi explored the theme of migration and the disconnect from nomadic culture for many Mongolians. A very memorable and almost romantic piece of work. He was also the 2013 winner of the Chartered Institution of Water and Environmental Management’s Environmental Photographer of the Year Award.

- Al Jazeera profiles ‘The New African Photography’ in a 6-Episode series, showcasing how a new generation of African photographers are celebrating the region’s attributes, while remaining unflinchingly honest about the real problems facing their countries. I believe the first episode looks at Nigerian photographer Emeka Okereke is the founder of Invisible Borders, an annual photographic project that takes African artists on a road trip across the continent.

Li Zhensheng was a photojournalist for the local paper in Harbin where he did his life’s work documenting the Cultural Revolution in the 1960s. At the time, he was to capture only the “positive” images of sweeping fervor among the “jubilant masses” including the Red Army. But he hid thousands of negatives of denunciations and criticism sessions that shed blood and ripped apart families and friends. New York Times’ Lens featured his panoramic work of the Cultural Revolution here. He was interviewed here (at 18:40 minutes) of this “China Rising” documentary by Al Jazeera.

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09
May

The first step is the hardest … and we’re back

The first step is always the hardest

The silence has been deafening around here, no? The guilt that has ballooned over my absence from the blog nags at me constantly, only made worse when I run into friends/readers who ask with an arched brow, “So … I see you’ve stopped blogging…”. I would smile sheepishly with mumbled promises to return with that one story of an old Shanghai gangster’s villa on Beijing Lu, or my Instagram series on Hamilton House, or my interview with the founder of Disappearing Corners.

Now I am quite horrified to see that in another month, it would have been a year since I last posted on the blog. For shame! Excuses are aplenty – a wedding (and in two cities no less), my increased involvement in a policy-oriented speaker series for the Hopkins China Forum and Young China Watchers (YCW) in Shanghai, a new job that has wholly and utterly consumed me, and a lot of traveling in between.

Mind you, I have not entirely forsaken all that is related to the blog. For those who follow me on Facebook, I am still actively posting China-related and photography-related links and giving small updates about talks and interviews.

Most of my recent publications have been on the China-Central Asia project including for Asia Society (“Gallery/Interview: Photographer Sue Anne Tay Captures Kyrgyzstan’s Bustling Bazaars, Jul12) and 信睿 (The Thinker) (”Interview: From Shanghai to Central Asia”《从上海到中亚: 城市街头摄影指南》, Sep12).

This year so far, I have given a talk on the former Jewish Ghetto in Hongkou at the Limmud (Hebrew for learning) China conference, and given a presentation to a group of Chinese history PhD students at the University of Bristol studying under Professor Robert Bickers, who is also the project Director of Historical Photographs of China and Visualising China. I couldn’t be more pleased to meet the dedicated team helmed by Jamie Carstairs that has digitized tens of thousands of archived photographs of China dating as far back as late 19th century, researched and catalogued them to share in the public domain. Bristol is simply lovely.

They say the first step is always the hardest. So to all the (remaining) readers out there, thanks for the occasional email and tidbits of places I should photograph. Shanghai Street Stories is up and running again! But we’ll be taking baby steps, so bear with us.

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25
Jun

June 26: China’s Changing Megacities

[Note 17May 2013: You can learn more about the policy-oriented speaker series at Hopkins China Forum and about the group Young China Watchers.]

As part of the monthly Hopkins China Forum series, I’ll be moderating a very interesting panel discussion tomorrow entitled “China’s Changing Megacities” with Daan Roggeveen, architect and founder/director of the Go West Project, and author of How the City Moved to Mr Sun”. Duncan Hewitt, Shanghai Correspondent for Newsweek and author of“Getting Rich First: Life in a Changing China” will be offering commentary on the topic as well.

The talk will revolve around the break-neck development of cities in Central and Western China which have focused solely on their physical infrastructure, but now need to face societal issues of sustainability, education, and cultural development.

Over the next two decades around 300 million Chinese villagers will move to the city, creating the largest urban society the world has ever seen. Small towns in central and western China are transforming at breakneck pace into huge metropolises with many millions of inhabitants, rivaling global cities like Rio de Janeiro, London,and Moscow, though their names are unknown in the rest of the world.  These unexplored cities in the heart of China have focused solely on their physical development over the past decade, but when the physics of their development slows down, as it must, they will then need to shift toward non-physical aspects of development, such as education, sustainability, and most importantly cultural life.  Architect Daan Roggeveen (Go West Project) and journalist Duncan Hewitt (Newsweek) will challenge certain assumptions about the nature of Chinese society and pose the question: Can China transform its triumph of brick and concrete into a model that can be a beacon for the world?

Both Daan and Duncan’s books will be on sale during the event, I encourage you to pick up a copy and have a pint at the same time!

The talk will be at Wooden Box, 9 Qinghai Lu, near Nanjing Xi Lu (青海路9号, 近南京西路) on Tuesday, June 26th at 7pm, and I encourage you to RSVP to Frank Tsai at editor[at]shanghai-review.org, since seating may be limited.

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07
Jun

What I am reading

I’ve been quite tied up preparing for a private exhibit at my workplace based on my China in Central Asia work. The satisfaction of curating and planning a collection and working with the printer is the other part of photography I really enjoy. I’m working hard to get another public exhibit going, one that is more diverse than the confines of the documentary bent.

Separately, I have published a full photo essay on China’s growing economic and social influence in the Central Asian region. With the Shanghai Cooperation Organization (SCO) underway now in Beijing, it’s a timely issue that I hope will catch some eyeballs!

Which is to say that I’ve been rather pre-occupied but here are a few links that has caught my eye over the last week or so. I realize I haven’t published much on Shanghai which I hope to rectify very soon. I’ve been conducting a few photo walks here and there, and while it’s great to share ideas and facts, it’s not always conducive to shooting and interviewing.

- This is an excellent 3-part BBC documentary which profiles Urban Planning Professor Ruan Yisan of Tongji University who is responsible for saving and preserving heritage sites in metropolitan and rural Shanghai, including designing the promenade that exists along the Bund and trying to keep water towns like Zhujiajiao authentic and not devolve into “fake antiques”. Well into his 70s, his eye for historical detail and lobbying for local authorities to conform to conservation regulations are admirable. Highly recommended to devote 15 mins to this, you’ll learn a lot. Part 1, 2 and 3.

“Sometimes, I feel I am fighting a losing battle. People don’t understand the importance of our work. All they want is modernisation. But I carry on regardlessly.”

- “In China, What Does it Mean to be a Patriot?” A thought provoking piece which reflects and responds to Chinese writer and blogger Li Chengpeng’s own piece “Patriotism with Chinese Characteristics”. (hat tip to reader Ray Deng whom I had the pleasure of meeting when he was in town)

- Readers interested in learning more about modern architecture in China, I recommend architectural designer and theorist Evan Chakroff’s blog Tenuous Resilience. Thanks to a link back from his site (thanks, Evan!) I spent an enjoyable hour ploughing through his archives.

- Here’s a collection of archived color photos of “Old China” 60 years back taken by an American fighter pilot H. Allen Larsen. Given that it is still the Republican era, you see a great mix of traditional and Western influences in fashion and infrastructure, especially in Shanghai.

For more, you can follow me via the blog’s Facebook page and Twitter.

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31
May

Cradles of Civilization in Uzbekistan

Picture 1 of 13

I returned from Uzbekistan a little over a week ago with a nasty bug. It was likely from the few days I spent in Bukhara where the dry desert heat and excessive consumption of lamb and naan got the better of me. Pardon me for the short absence.

Much of the time in Tashkent was spent doing interviews and meetings for the project and I was incredibly lucky to stumble into business delegations and even a Chinese language competition attended by the the Chinese Ambassador to Uzbekistan. The latter was a delightful experience which I will share more next time.

Many people have asked me about Uzbekistan as a tourist destination which I highly recommend if you’re truly curious about Central Asia. It serves an excellant cultural platform with its rich history for the rest of your journey to the surrounding ‘stans’ including Kazakhstan and Kyrgyzstan.

Samarkand and Bukhara are considered the cradles of civilisation in Central Asia and one of the oldest inhabited cities in the world and prospered when the Silk Road was developed. You’d be surprised by how well-trodden the Tashkent-Samarkand-Bukhara (and even Khiva) route was for tourists.

In Samarkand, groups of older French, German, Japanese and Korean tourists thronged Registan, the ancient centre of the city and the Bibi-Khanym Mosque. All of us were stunned by the size and majesty of the three madrasahs: the Ulugh Beg Madrasah, the Tilya-Kori Madrasah and the Sher-Dor Madrasah and marvel at the strong Persian influences in Samarkand architecture and culture.

Islam Karimov had made it a priority to refurbish many of the heritage buildings, including Samarkand which UNESCO added the city to its World Heritage List in 2001. I’d say that much of it had been done quite well.

If Samarkand proves to be too “shiny” or done up, you can see a few pre-refurbished mosques and madressas in Bukhara, which is smaller than Samarkand.

The Po-i-Kalan complex, the Ismail Samani mausoleum, Samanid mausoleum  and the Bukhara Fortress, the Ark (which unfortunately is closed for refurbishment which is a shame) are a few of the many spots to really absorb Bhukara’s beauty and history. The desert heat and sun proved to be challenging at times.

Because of the size of the cities and the established tourists spots, you rarely stay more than a few days in the cities. I encountered the same group of Chinese engineers working for Sinopec several times in 2 days in Samarkand, and found ourselves following and then overtaking a group of Danish retirees in Bukhara.

Still, the best part of our tourist activity was starting it on a weekend and seeing hundreds of local Uzbek tourists in their Sunday finest enjoying a family outing.

For those wanting to tease out a possible venture into Central Asia or simply learn a bit more,  pick up a copy of Peter Hopkirk’s “The Great Game”. Ideally, the swashbuckling British and Russian espionage to secure influence over Central Asia of the late 1800s to early 1900s will thoroughly intrigue you.

Alternatively, I recommend picking up a copy of Steppe Magazine which beautifully covers Central Asian’s contemporary and historical culture landscapes. Elegant layouts, compelling writing and beautifully photographed.

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18
May

A Xinjiang Trade Fair in Tashkent

Picture 1 of 7

I shared earlier that I was in Uzbekistan doing some documentary work on Chinese influence in Central Asia. Some of my photography has been appearing on the project site ChinainCentralAsia.com where you can read more of my colleague’s work.

By Raffaello and Sue Anne Tay

Published May 17, 2012

Last week, we have been visiting Tashkent, Uzbekistan as part of our ongoing research on Chinese interests in Central Asia.

Fortunately, on the flight here from Beijing, one of us had the good fortune to be seated amidst a boisterous group of 40 Xinjiang businessmen part of a provincial business delegation attending a trade fair in Tashkent. They had been forced to fly through Beijing from Urumqi – a geographically illogical route – due to the fact that there are no direct flights between Tashkent and Urumqi.

At their invitation, we visited the trade fair earlier this week. Held in an old exhibition hall in the outskirts of Tashkent it was a no-frills affair with basic booths lined up four by four. In its fourth year, the Xinjiang Trade Expo was sponsored by the Uzbek Chamber of Commerce, the Xinjiang government, and the bingtuan (the former People’s Liberation Army (PLA)-managed state owned enterprise (SOE) responsible for much of Xinjiang’s industries).

On the Chinese side, the participants were a mix of Xinjiang companies specializing in locally produced goods like Xinjiang snacks of dabanji (the famous big plate chicken), mushrooms, culinary sauces, an array of Uighur style clothing (and some fancily called ‘Turky style’ clothing) and more generic industries like uniforms/garment manufacturing and electronic equipment.

Other key participants were Xinjiang subsidiaries of holdings companies based in Guangzhou as part of the central government’s push for increased domestic investment in China’s less-developed hinterlands. One manager highlighted that they had started this work in the province at the Guangdong provincial government’s request. They were offering potential Uzbek customers property investment opportunities in Kashgar in southern Xinjiang, Chinese electrical gadgets like smartphones and Ipad-knockoffs tailored to the Uighur market (appropriately labeled with an Android character donning a Uighur hat), lightning equipment, police and factory uniforms. Many of the samples on display were manufactured in southern China and shipped to and assembled in Xinjiang.

With the pomp of the opening ceremony behind them, the reception at the Xinjiang Trade Fair when we went was lackluster to say the least. A thin traffic of Uzbek passers-by browsed with fleeting curiosity at what they considered well made but expensive Chinese products.

“The Uzbek market is too small and low-income compared to the vast opportunities we have in Xinjiang,” a uniforms manufacturer salesman named Tan Chao complained. Two locally dressed older Uzbek women stopped by to finger the bright Gortex jackets and browse a catalogue. A listless conversation in stilted Russian began with no conclusive business made.

Like Tan Chao, many of the Xinjiang businessmen were bored by the lack of opportunities offered in the trade fair. When we spoke to a pair of salesmen from an agricultural machinery manufacturer subsidiary of AVIC (the Chinese military aviation SOE), they acknowledged their presence seemed almost futile. Neither spoke Russian nor were there any serious potential clients for the cotton-picking machines they were peddling (Uzbekistan is one of the global top five cotton-producers). They responded to inquirers by waving a sheet with the prices of their equipment carelessly scribbled. Amusingly, curious onlookers seemed more interested in purchasing the model on display rather than the actual machinery.

A manager of a Xinjiang-based electricity infrastructure developer (with affiliation to Siemens) named Liu Zhao was one of the more enthusiastic and serious participants. His company had specially shipped in a landscape model of an electricity grid made up of parts manufactured by their company. Liu spoke fluent Russian thanks to 2 years of study in Almaty, Kazakhstan and extensive experience travelling to the region for work.

Several businessmen we spoke to, including Liu, acknowledged the difficulties of doing business in Uzbekistan. The government welcomed investment but not competition with local industries. Hence, the options for Chinese businesses in Uzbekistan are in the form of trade of specialized Chinese goods to the Uzbek market, attracting Uzbek investment to China and vice versa.

The limited convertibility of the Uzbek currency – 1800 Uzbek som to 1 USD (at the official rate, we were told the unofficial rate was as high as 2800 som to the USD) – was another obstacle. It is prohibited to take earned foreign currency out of the country, meaning you cannot leave with more forex than you arrived. Thus, foreign companies are either compelled to reinvest domestically any Uzbek som profits or absorb foreign exchange losses made via the official foreign exchange centre.

Hence, the dilemma facing Duan Weiming, a Chinese producer of Western suits who had just made a modest sale of several tens of thousands in Uzbek som. He jokingly showed off his cash bundles to his friends. What is he going to do with all the cash he made? We inquired.

“Why, spend it all on dinner, drinks and karaoke!” he boomed smilingly in response. Maybe to go enjoy his new fortune, the group packed up early at four o’clock. With another day at the Xinjiang Trade Fair, the Chinese businessmen were determined to make the best of what remained a slow affair.

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08
May

What I am reading this week

Greetings from Tashkent, capital of Uzbekistan! I’m here helping to document a few things as part of the China in Central Asia project headed up by my colleagues Raffaello Pantucci and Alexandros Petersen. You might recall I was in the region last October specifically in Kyrgyzstan and Kazakhstan.

On my flight from Beijing to Tashkent, I was off to a winning start when I encountered a large group of businessmen from Xinjiang. They certainly made my 6 hour flight quick and entertaining.

I spent much of yesterday photographing them at the Xinjiang Commodities Trade Fair in the outskirts of Tashkent, represented by a wide array of businesses from uniform garments production, cotton picking machines, electricity infrastructure development and Xinjiang’s best delicacies. Above is one Chinese businessmen who after selling a few Western suits showed off his bundles of Uzbek som, which unfortunately cannot be brought outside of the country. With 1800 Uzbek som to 1 USD, an individual bill is almost worthless.

What to do with all of them? I asked him, “Why, spend it all in Tashkent! Dinner, drinks and karaoke!” he boomed in response.

- One of Magnum’s leading photographers Chien-Chi Chang has put together a collection of photographs taken in New York’s Chinatown between 1992-2011 with audio. An estimated 100,000 Chinese people live in the Canal Street area of Manhattan, the largest Chinese community outside of Asia. Chang has spent the past 19 years capturing what goes on behind Chinatown’s façade. You’d be remised if you didn’t check out Chang’s incredible portfolio.

- I’ve been wanted to share this for a while. The debate of camera phone photography continues, this time, aided and abetted by apps like Instagram and Hipstagram. Can it be accepted as photojournalism if the apps dramatically alter the photo? Ben Lowy seems a viable spokeperson considering his stunning collection of Hipstagram photos shot on Iphone.

- Singaporean photographer Sim Chiyin (who is also represented by Vii Photo Agency) captures Burma in the wake of political opening.

- We’ve been seeing a great deal of photo essays on North Korean by foreign journalists following a state sanctioned (and heavily guided) tour. I particularly enjoyed Reuters’ Bobby Yip’s “Window into North Korea” which reflected a rather even view of what the government wanted foreigners to see to the mundane.

Interestingly, an insightful contrast is this edited collection of photos put out by the Korean Central News Agency (KCNA), the state news agency of North Korea, which is very utopian in nature.

- Maura Elizabeth Cunningham discusses the complexities of China’s rural-to-urban migration and reviews a handful of new books, both academic and popular which explore the issue.

For more, you can follow me via the blog’s Facebook page and Twitter.

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